African plots in Italian children's literature: Eugenio Cherubini's Pinocchio in Affrica

Research output: Contribution to journalReview article

Abstract

In Eugenio Cherubini's 1903 sequel to Collodi's masterpiece, illustrated by G. G. Bruno, the headstrong puppet swims to Africa to find riches. Published during Italy's emigration crisis, and in the shadow of failed colonial campaigns, Pinocchio in Affrica plays out issues central to the state's legitimacy. Targeting a precisely defined audience, the book plots these issues using a structure (home-away-home), moral (hard work and obedience), and protagonist that offer a comforting predictability. Cherubini's novel creates a familiar space in which readers could simultaneously indulge and disown illicit fantasies, and find more satisfying meaning in events that were humiliating to them.

Original languageEnglish (US)
Pages (from-to)114-136
Number of pages23
JournalMLN - Modern Language Notes
Volume126
Issue number1
DOIs
StatePublished - Jan 1 2011

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obedience
children's literature
emigration
legitimacy
Italy
campaign
event
Legitimacy
Emigration
Pinocchio
Protagonist
Colonies
Puppet
Africa
Reader
Children's Literature
Predictability
Fantasy
Obedience
Plot

All Science Journal Classification (ASJC) codes

  • Language and Linguistics
  • Linguistics and Language
  • Literature and Literary Theory

Cite this

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African plots in Italian children's literature : Eugenio Cherubini's Pinocchio in Affrica. / Truglio, Maria Rosa.

In: MLN - Modern Language Notes, Vol. 126, No. 1, 01.01.2011, p. 114-136.

Research output: Contribution to journalReview article

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