Abstract
Eco in the Manifesto follows some of the cultural factors that determine the text at hand, its style, its rhetoric, its many historical evolutions included—such cultural events function as words when reading in a semiotic mode. We read the Manifesto appreciating its rhetorical gags, and forget how these are carefully prepared signs that unfold in words as composites of the text. What significs and later semiotics taught us, namely to be attentive for the unfolding of meanings, is repeated when the Manifesto text comes onstage. Its challenge is in the multiple meanings of words used in the text, is in where it hits the reader most, is in where it causes questions and raises doubts. Apart from its genuinely poetic capacity to invent memorable metaphors, Eco shows how the Manifesto remains a masterpiece of political (but not only political) oratory, and it ought to be studied at school along with Cicero's Invectives against Catiline and Mark Antony's speech over Julius Caesar's body in Shakespeare, especially as it is not impossible, given Marx's familiarity with classical culture, that he had in mind these very texts when writing it. The notion of text as act needs a completion of the traditional emphasis on words, and perhaps even signs! There are no texts without words and/or signs—but that is not all, and there is more, Marx would have said.
| Original language | English (US) |
|---|---|
| Title of host publication | Signs in Law - A Source Book |
| Subtitle of host publication | The Semiotics of Law in Legal Education III |
| Publisher | Springer International Publishing |
| Pages | 21-24 |
| Number of pages | 4 |
| ISBN (Electronic) | 9783319098371 |
| ISBN (Print) | 9783319098364 |
| DOIs | |
| State | Published - Jan 1 2015 |
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All Science Journal Classification (ASJC) codes
- Social Sciences(all)
- Arts and Humanities(all)
- Psychology(all)
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Eco and the text of the communist manifesto. / Broekman, Jan M.; Catá Backer, Larry.
Signs in Law - A Source Book: The Semiotics of Law in Legal Education III. Springer International Publishing, 2015. p. 21-24.Research output: Chapter in Book/Report/Conference proceeding › Chapter
TY - CHAP
T1 - Eco and the text of the communist manifesto
AU - Broekman, Jan M.
AU - Catá Backer, Larry
PY - 2015/1/1
Y1 - 2015/1/1
N2 - Eco in the Manifesto follows some of the cultural factors that determine the text at hand, its style, its rhetoric, its many historical evolutions included—such cultural events function as words when reading in a semiotic mode. We read the Manifesto appreciating its rhetorical gags, and forget how these are carefully prepared signs that unfold in words as composites of the text. What significs and later semiotics taught us, namely to be attentive for the unfolding of meanings, is repeated when the Manifesto text comes onstage. Its challenge is in the multiple meanings of words used in the text, is in where it hits the reader most, is in where it causes questions and raises doubts. Apart from its genuinely poetic capacity to invent memorable metaphors, Eco shows how the Manifesto remains a masterpiece of political (but not only political) oratory, and it ought to be studied at school along with Cicero's Invectives against Catiline and Mark Antony's speech over Julius Caesar's body in Shakespeare, especially as it is not impossible, given Marx's familiarity with classical culture, that he had in mind these very texts when writing it. The notion of text as act needs a completion of the traditional emphasis on words, and perhaps even signs! There are no texts without words and/or signs—but that is not all, and there is more, Marx would have said.
AB - Eco in the Manifesto follows some of the cultural factors that determine the text at hand, its style, its rhetoric, its many historical evolutions included—such cultural events function as words when reading in a semiotic mode. We read the Manifesto appreciating its rhetorical gags, and forget how these are carefully prepared signs that unfold in words as composites of the text. What significs and later semiotics taught us, namely to be attentive for the unfolding of meanings, is repeated when the Manifesto text comes onstage. Its challenge is in the multiple meanings of words used in the text, is in where it hits the reader most, is in where it causes questions and raises doubts. Apart from its genuinely poetic capacity to invent memorable metaphors, Eco shows how the Manifesto remains a masterpiece of political (but not only political) oratory, and it ought to be studied at school along with Cicero's Invectives against Catiline and Mark Antony's speech over Julius Caesar's body in Shakespeare, especially as it is not impossible, given Marx's familiarity with classical culture, that he had in mind these very texts when writing it. The notion of text as act needs a completion of the traditional emphasis on words, and perhaps even signs! There are no texts without words and/or signs—but that is not all, and there is more, Marx would have said.
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U2 - 10.1007/978-3-319-09837-1_2
DO - 10.1007/978-3-319-09837-1_2
M3 - Chapter
AN - SCOPUS:84955340289
SN - 9783319098364
SP - 21
EP - 24
BT - Signs in Law - A Source Book
PB - Springer International Publishing
ER -