Queer Ventennio: Italian Fascism, Homoerotic Art, and the Nonmodern in the Modern

Research output: Book/ReportBook

Abstract

Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer. Exploring the contribution of Italy to our understanding of both the history of homosexuality and European modernism, this ground-breaking study analyses three queer modernists - writer Giovanni Comisso, painter and writer Filippo de Pisis, and painter Corrado Cagli. None self-identified as fascists; none, however, were consistent critics of the regime. All understood their own sexuality via the idea of the primitive - a discourse fascism also employed in its efforts to secure consent for the dictatorship. What happens when we return to these men and their work minus the assumption that our most urgent task is identifying their fascist tendencies or political quietism? Variously infantilized, pathologized, marginalized, and stigmatized, treated as both cause and effect of fascism, queer ventennio artists are an easy target, not brave or selfless or savvy enough to see their common struggle with fascism's other victims. Revisiting their works and lives with an eye toward neither rehabilitation nor condemnation allows us to ponder more carefully the relationship between art and politics, how homophobia has structured art criticism, the need to further bring queer perspectives to Italian cultural analysis, and how such men disrupt our sense of modern homo/heterosexual definition.

Original languageEnglish (US)
PublisherPeter Lang AG
Number of pages303
ISBN (Electronic)9781789972252
ISBN (Print)9781789972245
DOIs
StatePublished - Nov 7 2019

All Science Journal Classification (ASJC) codes

  • Arts and Humanities(all)

Fingerprint

Dive into the research topics of 'Queer Ventennio: Italian Fascism, Homoerotic Art, and the Nonmodern in the Modern'. Together they form a unique fingerprint.

Cite this