Soma, psyche, corpse, and gaze: Perception and vision in Arthur Schnitzler's early prose fiction

Research output: Contribution to journalReview article

1 Citation (Scopus)

Abstract

After setting Arthur Schnitzler's visual aesthetics in dialogue with key issues in visual culture and mapping links between cinematic and literary practices, this article explores vision as a preeminent poetic strategy in his early prose works Sterben (1894), "Der Ehrentag" (1897), and "Das neue Lied" (1905). It argues that these texts mark a "pictorial turn" (Mitchell) in Vienna modernism. Through a dynamic interplay of visual, narrative, and social practices, they present an eloquent cultural critique of aestheticizing death, along with mental and physical illness. Close textual analysis focuses on Schnitzler's techniques of rendering the human body and psyche visually by graphically depicting the progress of terminal illness, depression, and disability.

Original languageEnglish (US)
Pages (from-to)21-42
Number of pages22
JournalModern Austrian Literature
Volume40
Issue number2
StatePublished - Dec 1 2007

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psyche
illness
Vienna
aesthetics
disability
dialogue
death
narrative
Illness
Psyche
Corpse
Prose Fiction
Human Psyche
Poetics
Prose Works
Human Body
Textual Analysis
Physical
Social Practice
Aesthetics

All Science Journal Classification (ASJC) codes

  • Cultural Studies
  • Literature and Literary Theory

Cite this

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Soma, psyche, corpse, and gaze : Perception and vision in Arthur Schnitzler's early prose fiction. / Kuttenberg, Eva.

In: Modern Austrian Literature, Vol. 40, No. 2, 01.12.2007, p. 21-42.

Research output: Contribution to journalReview article

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