The Madonna painter

Pimen Maksimovich Sofronov and Marian Iconography (1898-1973)

Research output: Chapter in Book/Report/Conference proceedingChapter

Original languageEnglish (US)
Title of host publicationFraming Mary
Subtitle of host publicationThe Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture
PublisherNorthern Illinois University Press
Pages209-226
Number of pages18
ISBN (Electronic)9781609092351
ISBN (Print)9780875807768
StatePublished - Jan 1 2018

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Painters
Iconography

All Science Journal Classification (ASJC) codes

  • Arts and Humanities(all)

Cite this

Robson, R. R. (2018). The Madonna painter: Pimen Maksimovich Sofronov and Marian Iconography (1898-1973). In Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture (pp. 209-226). Northern Illinois University Press.
Robson, Roy R. / The Madonna painter : Pimen Maksimovich Sofronov and Marian Iconography (1898-1973). Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture. Northern Illinois University Press, 2018. pp. 209-226
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Robson, RR 2018, The Madonna painter: Pimen Maksimovich Sofronov and Marian Iconography (1898-1973). in Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture. Northern Illinois University Press, pp. 209-226.

The Madonna painter : Pimen Maksimovich Sofronov and Marian Iconography (1898-1973). / Robson, Roy R.

Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture. Northern Illinois University Press, 2018. p. 209-226.

Research output: Chapter in Book/Report/Conference proceedingChapter

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Robson RR. The Madonna painter: Pimen Maksimovich Sofronov and Marian Iconography (1898-1973). In Framing Mary: The Mother of God in Modern, Revolutionary, and Post-Soviet Russian Culture. Northern Illinois University Press. 2018. p. 209-226