Towards an African-American Genealogy of Market and Religion in Rap Music

Research output: Contribution to journalArticlepeer-review

1 Scopus citations

Abstract

This essay provides a new reading of the intersections between religion and rap music in its genealogical consideration of how black laborers’ orientations to the market—from the antebellum slave market to the contemporary music industry—have informed their consequent commodifications of race and religion. The essay (1) traces the informal economy and sacred world of the slaves to the twinned births of the modern black prosperity gospel and hip-hop culture and (2) connects the religio-economic modalities of postbellum peddling and celebrity preachers to contemporary black prosperity preachers and hip-hop moguls. Finally, this essay concludes that the commodified formulations of race and religion in rap music represent transformations of spiritual and market categories of “authenticity” and “freedom” which have structured and sometimes limited our understandings of distinct articulations of race, religion, and the market throughout African-American history.

Original languageEnglish (US)
Pages (from-to)363-384
Number of pages22
JournalPopular Music and Society
Volume42
Issue number3
DOIs
StatePublished - May 27 2019

All Science Journal Classification (ASJC) codes

  • Cultural Studies
  • Music

Cite this